Der Begriff der ›Natur‹ ist so etwas wie ein Bedeutungs-Chamäleon und wird entsprechend leicht missbraucht. Mill wendet sich in seinem kurzen Essay mit Macht gegen Behauptungen, etwas sei ›natürlich‹ und deshalb schon gut (etwa die ›natürlichen Wesenseigenschaften von Mann und Frau‹ oder das ›natürliche‹ Recht). Ihn interessieren vielmehr normative Prinzipien: Es sei die oberste Pflicht des Menschen als Individuum und als Gattung, die Natur zu moralisieren. Die Pflicht des Menschen besteht nämlich nicht darin, der äußeren oder inneren instinktiven Natur zu folgen, sondern die innere wie die äußere Natur durch Kultivierung zu verbessern – ein Ansatz, der in Zeiten bedrohter Natur und ökologischer Probleme neue Relevanz gewinnt. E-Book mit Seitenzählung der gedruckten Ausgabe: Buch und E-Book können parallel benutzt werden.
The author's fundamental empirical study of system constellations with life-sized figures from the year 2005 could also be realised in China in 2015. In this book, he proves that the perception of the position in a space actually follows the generally comprehensible semantics of a language and this is hardly any different in China than it is in Germany. Thus, gestural language can be described as a "global language". It is concerned with the exploration of the social nature of man as well as human social gravitational forces with the help of the new research discipline "sociothesie". Thereby, the concept of a "social affected space" can be empirically substantiated. Die grundlegende empirische Studie des Autors über Systemaufstellungen mit lebensgroßen Figuren aus dem Jahr 2005 konnte 2015 auch in China realisiert werden. Er weist in diesem Buch nach, dass die Wahrnehmung der Position im Raum tatsächlich der allgemein verständlichen Semantik einer Sprache folgt und dies in China kaum anders ist als in Deutschland. Die Zeichensprache kann demnach als "Weltsprache" bezeichnet werden. Es geht um die Erforschung der sozialen Natur des Menschen sowie der humanen sozialen Schwerkräfte mit Hilfe der neuen Forschungsdisziplin "Soziothesie". Damit kann das Konzept eines "sozialen Wirkraumes" empirisch begründet werden.
“Nature, thou art my goddess”—Edmund’s bold assertion in King Lear could easily inspire and, at the same time, function as a lamentation of the inadequate respect of nature in culture. In this volume, international experts provide multidisciplinary exploration of the insubordinate representations of nature in modern and contemporary literature and art. The work foregrounds the need to reassess how nature is already, and has been for a while, striking back against human domination. From the perspective of literary studies, art, history, media studies, ethics and philosophy, and ethnology and anthropology, Avenging Nature highlights the need of assessing insurgent discourses that—converging with counter-discourses of race, gender or class—realize the empowerment of nature from its subaltern position. Acknowledging the argument that cultural representations of nature establish a relationship of domination and exploitation of human discourse over nonhuman reality and that, in consequence, our regard for nature as humanist critics is instrumental and anthropocentric, the present volume advocates for the view that the time has come to finally perceive nature’s vengeance and to critically probe into nature’s ongoing revenge against the exploitation of culture.
Nature Prose seeks to explain the popularity and appeal of contemporary writing about nature. This book intervenes in key areas of contemporary debate about literature and the environment and explores the enduring appeal of writing about nature during an ecological crisis. Using a range of international examples, with a focus on late twentieth- and early twenty-first-century writing from Britain and the US, Dominic Head argues that nature writing contains formal effects which encapsulate our current ecological dilemma and offer a fresh resource for critical thinking. The environmental crisis has injected a fresh urgency into nature writing, along with a new piquancy for those readers seeking solace in the nonhuman, or for those looking to change their habits in the face of ecological catastrophe. However, behind this apparently strong match between the aims of nature writers and the desires of their readers, there is also a shared mood of radical uncertainty and insecurity. The treatment and construction of 'nature' in contemporary imaginative prose reveals some significant paradoxes beneath its dominant moods, moods which are usually earnest, sometimes celebratory, sometimes prophetic or cautionary. It is in these paradoxical moments that the contemporary ecological crisis is formally encoded, in a progressive development of ecological consciousness from the late 1950s onwards. Nature prose, fiction and nonfiction, is now contemporaneous with a defining time of crisis, while also being formally fashioned by that context. This is a mode of writing that emerges in a world in crisis, but which is also, in some ways, in crisis itself. With chapters on remoteness, exclusivity, abundance, and rarity, this book marks a turning point in how literary criticism engages with nature writing.
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Notes on contributors -- Editor's foreword -- Part I Overview -- Introduction -- 1 Françoise d'Eaubonne and ecofeminism: rediscovering the link between women and nature -- Part II Rethinking animality -- 2 A retreat on the "river bank": perpetuating patriarchal myths in animal stories -- 3 Visual patriarchy: PETA advertising and the commodification of sexualized bodies -- 4 Ethical transfeminism: transgender individuals' narratives as contributions to ethics of vegetarian ecofeminisms -- Part III Constructing connections -- 5 The women-nature connection as a key element in the social construction of Western contemporary motherhood -- 6 The nature of body image: the relationship between women's body image and physical activity in natural environments -- 7 Writing women into back-to-the-land: feminism, appropriation, and identity in the 1970s magazine -- Part IV Mediating practices -- 8 Bilha Givon as Sartre's "third party" in environmental dialogues -- 9 "Yo soy mujer" ¿yo soy ecologista? Feminist and ecological consciousness at the Women's Intercultural Center -- 10 The politics of land, water and toxins: reading the life-narratives of three women oikos-carers from Kerala -- 11 Ecofeminism and the telegenics of celebrity in documentary film: the case of Aradhana Seth's Dam/Age (2003) and the Narmada Bachao Andolan -- Afterword -- Index
Human genetic enhancement, examined from the standpoint of the new field of political bioethics, displaces the age-old question of truth: What is human nature? This book displaces that question with another: What kind of human nature should humans want to create for themselves? To answer that question, this book answers two others: What constraints should limit the applications of rapidly developing biotechnologies? What could possibly form the basis for corresponding public policy in a democratic society? Benjamin Gregg focuses on the distinctly political dimensions of human nature, where politics refers to competition among competing values on which to base public policy, legislation, and political culture. This book offers citizens of democratic communities a broad perspective on how they together might best approach urgent questions of how to deal with the socially and morally challenging potential for human genetic engineering.
Since colonial times, the sense of encountering an unseen, transcendental Presence within the natural world has been a characteristic motif in American literature and culture. American writers have repeatedly perceived in nature something beyond itself-and beyond themselves. In this book, John Gatta argues that the religious import of American environmental literature has yet to be fully recognized or understood. Whatever their theology, American writers have perennially construed the nonhuman world to be a source, in Rachel Carson's words, of "something that takes us out of ourselves." Making Nature Sacred explores how the quest for "natural revelation" has been pursued through successive phases of American literary and intellectual history. And it shows how the imaginative challenge of "reading" landscapes has been influenced by biblical hermeneutics. Though focused on adaptations of Judeo-Christian religious traditions, it also samples Native American, African American, and Buddhist forms of ecospirituality. It begins with Colonial New England writers such Anne Bradstreet and Jonathan Edwards, re-examines pivotal figures such as Henry Thoreau and John Muir, and takes account of writings by Mary Austin, Rachel Carson, and many others along the way. The book concludes with an assessment of the "spiritual renaissance" underway in current environmental writing, as represented by five noteworthy poets and by authors such as Wendell Berry, Annie Dillard, Marilynne Robinson, Peter Matthiessen, and Barry Lopez. This engaging study should appeal not only to students of literature, but also to those interested in ethics and environmental studies, religious studies, and American cultural history.
One of the main problems and aims of nature conservation in Europe is to protect semi-open landscapes. The development during the past decades is characterized by an ongoing intensivation of land use on the one hand, and an increasing number of former meadows and pastures lying fallow caused by changing economic conditions on the other hand. In several countries the estabishment of larger "pasture landscapes" with a mixed character of open grassland combined with shrubs and forests has been recognized as one solution to this problem. The book gives an overview of the European projects concerning to this topic - nature conservation policy and strategies, scientific results and practical experiences creating large scale grazing systems.
