In the first comprehensive treatment of Classic Maya patron deity veneration, Joanne P. Baron demonstrates the central importance of patron deity cults in political relationships between both rulers and their subjects and among different Maya kingdoms. Weaving together evidence from inscriptions, images, and artifacts, Patron Gods and Patron Lords provides new insights into how the Classic Maya polity was organized and maintained. Using semiotic theory, Baron draws on three bodies of evidence: ethnographies and manuscripts from Postclassic, Colonial, and modern Maya communities that connect patron saints to pre-Columbian patron gods; hieroglyphic texts from the Classic period that discuss patron deity veneration; and excavations from four patron deity temples at the site of La Corona, Guatemala. She shows how the Classic Maya used patron deity effigies, temples, and acts of devotion to negotiate group membership, social entitlements, and obligations between individuals and communities. She also explores the wider role of these processes in politics, arguing that rituals and discourses related to patron deities ultimately formulated Maya rulership as a locally oriented institution, which limited the ability of powerful kingdoms to create wider religious communities. Applying a new theoretical approach for the archaeological study of ideology and power dynamics, Patron Gods and Patron Lords reveals an overlooked aspect of the belief system of Maya communities.
Throughout the year, readers proclaim and assemblies hear the words of the prophets in the liturgy. Who were they and what made them so urgent? This brief but deep and sympathetic introduction to the prophets will help readers proclaim the prophets’ words with more empathy and understanding. It will fascinate Bible study and Scripture sharing groups, and it will help interested assembly members appreciate more fully the meaning of the prophets’ messages—for their audience and for us.
Xurt'an (the end of the world) showcases the rich storytelling traditions of the northern Lacandones of Naha' through a collection of traditional narratives, songs, and ritual speech. Formerly isolated in the dense, tropical rainforest of Chiapas, Mexico, the Lacandon Maya constitute one of the smallest language groups in the world. Although their language remains active and alive, their traditional culture was abandoned after the death of their religious and civic leader in 1996. Lacking the traditional contexts in which the culture was transmitted, the oral traditions are quickly being forgotten. This collection includes creation myths that describe the cycle of destruction and renewal of the world, the structure of the universe, the realms of the gods and their intercessions in the affairs of their mortals, and the journey of the souls after death. Other traditional stories are non-mythic and fictive accounts involving talking animals, supernatural beings, and malevolent beings that stalk and devour hapless victims. In addition to traditional narratives, Xurt'an presents many songs that are claimed to have been received from the Lord of Maize, magical charms that invoke the forces of the natural world, invocations to the gods to heal and protect, and work songs of Lacandon women, whose contribution to Lacandon culture has been hitherto overlooked by scholars. Women's songs offer a rare glimpse into the other half of Lacandon society and the arduous distaff work that sustained the religion. The compilation concludes with descriptions of rainbows, the Milky Way as "the white road of Our Lord," and an account of the solstices. Transcribed and translated by a foremost linguist of the northern Lacandon language, the literary traditions of the Lacandones are finally accessible to English readers. The result is a masterful and authoritative collection of oral literature that will both entertain and provoke, while vividly testifying to the power of Lacandon Maya aesthetic expression.
This book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.
This comprehensive classic textbook represents the most recent approaches to the biblical world by surveying Palestine's social, political, economic, religious and ecological changes from Palaeolithic to Roman eras. Designed for beginners with little knowledge of the ancient world, and with copious illustrations and charts, it explains how and why academic study of the past is undertaken, as well as the differences between historical and theological scholarship and the differences between ancient and modern genres of history writing. Classroom tested chapters emphasize the authenticity of the Bible as a product of an ancient culture, and the many problems with the biblical narrative as a historical source. Neither "maximalist" nor "minimalist'" it is sufficiently general to avoid confusion and to allow the assignment of supplementary readings such as biblical narratives and ancient Near Eastern texts. This new edition has been fully revised, incorporating new graphics and English translations of Near Eastern inscriptions. New material on the religiously diverse environment of Ancient Israel taking into account the latest archaeological discussions brings this book right up to date.
Based in Iraq, Syria and Turkey, the Yezidi people claim their religion - a unique combination of Christian, Islamic, and historical faiths - to be the oldest in the world. Yezidi identity centres on their religion, Sharfadin, which has evolved into a highly complex pantheon of one God with many incarnations, the chief of whom is Melek Taus, the Peacock Angel. The Yezidi faith can be traced to a range of pre-Islamic belief systems, such as Sufism, some extreme Shi'ite sects, Gnosticism and other traditions surviving from the ancient world. This particular formulation has served to unify Yezidi religious identity and ethnicity. Based on extensive fieldwork, 'The Religion of the Peacock Angel' presents the first detailed examination of the Yezidi pantheon. The idea of one God and his chief incarnations is first analysed, then the various 'deity figures,' saints, holy patrons and divinized personalities in the Yezidi belief system are considered in the context of related religious traditions. The study determines the place of all these characters in the system of the Yezidi faith, defining their main functions, features, and genealogies.
