In recent decades, scholars have come to recognize the importance of classical Islamic philosophy both in its own right and in its preservation of and engagement with Western philosophical ideas. At the same time, the period immediately following the so-called classical period has often beenseen as a sort of dark age, in which Islamic thought entered a long period of decline. In this monumental new work, Frank Griffel seeks to overturn this conventional wisdom, arguing that what he calls the "post-classical" period has been unjustly maligned and neglected by previous generations ofscholars.The Formation of Post-Classical Philosophy in Islam is a comprehensive study of the far-reaching changes that led to a re-shaping of the philosophical discourse in Islam during the twelfth century. Earlier Western scholars thought that Islam's engagement with the tradition of Greek philosophy endedduring that century. More recent analyses suggest that Islamic thinkers instead integrated Greek thought into the genre of rationalist Muslim theology (kalam). Griffel argues that even this view misses a key point. In addition to the integration of Greek ideas into kalam, Muslim theologians pickedup the discourse of philosophy in Islam (falsafa) and began to produce books on philosophy. Books in these two genres, kalam and philosophy, argue for opposing teachings on the nature of God, the world's creation, and on the afterlife - even when written by the same authors. Griffel explains theemergence of a new genre of philosophical books called "hikma," works that stand opposed to Islamic theology and at the same wish to complement it. Offering a detailed history of philosophy in Iraq, Iran, and Central Asia during the twelfth century, together with an analysis of the way philosophywas practiced during this time, Griffel shows how works of falsafa, written by major Muslim theologians such as al-Ghazali developed step-by-step into critical assessments of philosophy that try to improve philosophical teachings, and eventually become fully fledged philosophical summas in the workof Fakhr al-Din al-Razi. Griffel's examination of the different methods of kalam and hikma demonstrate both the coherence and ambiguity of a Muslim post-classical philosopher's oeuvre.A work of extraordinary breadth and depth, The Formation of Post-Classical Philosophy in Islam will be essential reading for anyone interested in the history of Philosophy or the history of Islam.
Scholars have come to recognize the importance of classical Islamic philosophy both in its own right and in its preservation of and engagement with Greek philosophical ideas. At the same time, the period immediately following the so-called classical era has been considered a sort of dark age, in which Islamic thought entered a long decline. In this monumental new work, Frank Griffel seeks to overturn this conventional wisdom, arguing that what he calls the "post-classical" period has been unjustly maligned and neglected by previous generations of scholars. The Formation of Post-Classical Philosophy in Islam is a comprehensive study of the far-reaching changes that led to a re-shaping of the philosophical discourse in Islam during the twelfth century. Earlier Western scholars thought that Islam's engagement with the tradition of Greek philosophy ended during that century. More recent analyses suggest that Islamic thinkers instead integrated Greek thought into the genre of rationalist Muslim theology (kal=am). Griffel argues that even this new view misses a key point. In addition to the integration of Greek ideas into kal=am, Muslim theologians picked up the discourse of classical philosophy in Islam (falsafa) and began to produce books in the tradition of Plato, Aristotle, and Avicennaa new and oft-misunderstood genre they called ".hikma"in which they left aside theological concerns. They wrote in both genres, kal=am and .hikma, and the same writers argued for opposing teachings on the nature of God, the world's creation, and the afterlife depending on the genre in which they were writing. Griffel shows how careful attention to genre demonstrates both the coherence and ambiguity of this new philosophical approach. A work of extraordinary breadth and depth, The Formation of Post-Classical Philosophy in Islam offers a detailed, insightful history of philosophy in Iraq, Iran, and Central Asia during the twelfth century. It will be essential reading for anyone interested in the history of philosophy or the history of Islam.
This book is the first bibliographical and methodological work entirely devoted to the modern scholarship on Fakhr al-Dīn al-Rāzī. It includes more than 1000 entries, an introductory essay, annotations, and various indices to help readers navigate the complex field of Rāzī studies.
English summary: The contributions to this volume explore intercultural contacts and the reciprocal perceptions between Turkey and Europe in the eighteenth century. 'The dangerous Turk', one of the most antagonistic narratives in early modern times, lost impact after the Ottoman defeat in the second siege of Vienna 1683. The image of the Turk changed from the menacing, invincible terror of Christendom to that of a quaint and exotic neighbour. The result was a broad, partly euphoric acceptance and blending of Ottoman culture into the political, scientific, economic and aesthetic discourses of the eighteenth century. Conversely, the European impact on the socio-political and cultural life of the Ottoman Empire increased at the beginning of the eighteenth century. From the perspective of a variety of different academic disciplines, the contributions to this volume explore the following questions: What possibilities were there to form an idea of the other and to what extent was this idea founded on autistic self-assertion on the one hand, on curiosity and creative appropriation on the other? What forms of intercultural contacts existed and how have they been documented? german description: Thema dieses Bandes sind die interkulturellen Kontakte und die wechselseitige Wahrnehmung zwischen der Turkei und Europa im 18. Jahrhundert. Die Turkengefahr, eines der wichtigsten Antagonismusnarrative der fruhen Neuzeit, verblasste nach der osmanischen Niederlage bei der zweiten Belagerung Wiens 1683, und das Bild des Turken wandelte sich vom bedrohlichen, unbesiegbaren Schrecken der Christenheit zum kuriosen, exotischen Nachbarn. Die osmanische Kultur fand in den politischen, wissenschaftlichen, wirtschaftlichen und asthetischen Diskursen des 18. Jahrhunderts breite, zum Teil euphorische Aufnahme und Verarbeitung. Zugleich verstarkte sich zu Beginn des 18. Jahrhunderts der europaische Einfluss im gesellschaftspolitischen und kulturellen Leben des Osmanischen Reichs. Welche Moglichkeiten bestanden, sich ein Bild des Anderen zu machen, und zu welchen Teilen grundete es auf autistischer Selbstbespiegelung einerseits, auf Neugier und produktiver Aneignung andererseits? Welche Formen des interkulturellen Kontaktes existierten und wie sind sie dokumentiert? Auf diese Fragen antworten die Beitrage aus der Sicht verschiedener akademischer Disziplinen.
How did the reception of Aristotelian logic in the Arabic and Latin Middle Ages shape the development of theology? And how did theological issues influence the debates about logic and theories of argumentation? The contributions in this volume examine these questions on the basis of key texts, thus shedding new light on the problematic relationship between logic and theology.
Athir al-Din al-Abhari's Isagoge is one of the most important logic text used in the Muslim world since centuries. It outlines the basic elements of logic and includes topics such as the identification of proper definitions, valid syllogisms, and what constitutes a logical fallacy. This translation is also distinct in that it includes a lengthy commentary explaining each section of the Isagoge. This outstanding translation of the Isagoge coupled with the clear and well outlined commentary, makes this an indispensable book for all students of Arabic logic as well as those seeking to engage classical Islamic texts.
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Omnia El Shakry challenges the notion of a strict divide between psychoanalysis and Islam by tracing how postwar thinkers in Egypt blended psychoanalytic theories with concepts from classical Islamic thought in a creative encounter of ethical engagement. Drawing on scholarly writings as well as popular literature on self-healing, El Shakry provides the first in-depth examination of psychoanalysis in Egypt and reveals how a new science of psychology - or "science of the soul," as it came to be called - was inextricably linked to Islam and mysticism. She explores how Freudian ideas of the unconscious were crucial to the formation of modern discourses of subjectivity in areas as diverse as psychology, Islamic philosophy, and the law.
This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In Islamic studies, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is a static version of an article from Oxford Bibliographies Online: Islamic Studies, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of the Islamic religion and Muslim cultures. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.
